Holy crap, two posts in one week?
Just kidding, but like I said in the previous post, I am starting to find my groove as the amount of things happening this month is slowly coming to an end. But I really wanted to share my thoughts on something a friend and I had the pleasure of seeing when I came back from Charleston!
Can you tell I have a new favorite font? Pfffft. Anyways, my wonderful friend Mariko invited me to the Yayoi Kusama exhibition at the Hirshhorn Museum up in D.C. and I was ecstatic. I have seen pictures (including Jenny’s which you can see here) and it looked so interesting and my type of exhibit with all the polka dots and what not. So we found ourselves getting off the metro and waiting in line for about 2 hours to get time passes which was cold, wet, and yet successful! After we had a quick lunch at Starbucks, we were finally able to make our way into the exhibition and OH MY GAWD.
(“Flowers – Overcoat” (1964) & “Love Forever” (1966))
Just to be clear; this is not a review. This was a wonderful exhibition that I just wanted to share the memories of with you all!
Needless to say, I was never really familiar with Yayoi Kusama or her work prior to this day. I was surprised to read and see how her work related to her fear of sex and the male anatomy as well as her mental state throughout the years. There were pieces that I felt I could relate to on a personal level, but also pieces that left me in a state of shock or confusion.
(“Dots Obsession – Love Transformed into Dots” (2007))
When you step into the exhibition, you are greeted with a video of Kusama herself, talking about the exhibition and her view on humanity and the world and how she wishes her works to be perceived. She seemed very child like (not in a bad way…) but also very sincere. There is also a video when you are waiting in line for the “Dots Obsession” room where she is singing and motioning with her arms; although Mariko and I were unable to hear what she was saying, but it really emphasized the child-like quality in her and within the meaning of the “Dots Obsession” exhibit.
(“All the Eternal Love I Have for the Pumpkins” (2016), “Phalli’s Field” (1965), & “Aftermath of Obliteration of Eternity” (2009))
The popular exhibits were of course, the infinity mirrors, all with an incredible wait time but worth it. We discovered a part of us that had a love for pumpkins as well as experiencing the awkwardness that is explaining what “phallus” means. It is incredible though to feel the emptiness of what Kusama presumes is infinity even while surrounded by objects on the ground. However, the most uplifting and beautiful exhibit in my honest opinion…was the “Aftermath of Obliteration of Eternity.” You stand in a dark room surrounded by tiny lights and lanterns, reminiscent of the lantern festivals in Japan. It’s calming (until the lights suddenly shut off for a brief moment in their cycle) and gives you perspective. Is the end of eternity really that beautiful or still?
(“Obliteration Room” (2017?))
The finale of the exhibition (also known as the “point of no return” by Hirshhorn staff) is the “Obliteration Room.” They provide you a sticker sheet and you are able to place polka dots wherever you’d like and let me just say – people do not disappoint. The entire room was covered and my heart felt cluttered but happy at the same time. We took so many pictures in this exhibit and I want to go back for round two.
Honestly, this exhibition was wonderful and worth the two hour wait. If you are able to go, you may as well make it a day trip as the time to see every exhibit with wait times and such is probably around 3+ hours. If you’re in the DMV area and would like to learn more about the exhibition and how to get tickets, click here!
Anyways, that is it for today’s post! I hope you all enjoyed and I shall see you next…but a little throwback before you leave…
“Our earth is only one polka dot among a million stars in the cosmos.” – Yayoi Kusama, 1868
Thanks for Reading~! ❤